A sculpted indigenous garden featuring more than 60 works by Dylan Lewis.


‘Shapeshifting’, an essay by Laura Twiggs

‘Where does animalkind end and humankind begin? What of the wild and the primitive within? In exploring these tantalising enigmas, Lewis searches wilderness, myth and ancient belief systems for inspiration, meaning and answers.’

'The Rising': Ian McCallum

One day your soul will call to you with a holy rage.
‘Rise up!’ it will say…

Stand up inside your own skin.
Unmask your unlived life…
feast on your animal heart.
Unfasten your fist…
let loose the medicine in your own hand.
Show me the lines…
I will show you the spoor of the ancestors.
Show me the creases…
I will show you the way to water.
Show me the folds…
I will show you the furrows for your healing.
‘Look!’ it will say…
the line of life has four paths –
one with a mirror, one with a mask,
one with a fist, one with a heart.

One day, your soul will call to you with a holy rage.

About the artist

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Dylan Lewis was born in 1964 and raised in an artistic family in South Africa. His father was an accomplished sculptor, his mother and his grandmother were painters, and two great-grandfathers were an architect and cabinetmaker, respectively. Lewis initially followed in the family tradition, beginning his career as a painter, but later turned to sculpture. Widely recognised as one of the world’s foremost sculptors of the animal form, he initially focused on the big cats; in recent years, he has used the human figure to explore our relationship with our inner wilderness. His international career spans two decades and includes exhibitions in Paris, Sydney, Toronto, Houston and San Francisco, as well as numerous one-man exhibitions in London, where he is among the few living artists to have held solo auctions at Christie’s London.